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Table of Content
- Record Player
- Tone Arm Bases
- Pressure System
- Motor Case
- Drive Electronic
- Tools for the Record Player
In December 2012 I had the luck to meet my friend Jürgen. At that time I’m working since a longer period on a motor control for a record player. I had a DIY player with Scheu components in use with an ebmPapst motor. To measure the rotation speed I modified the Scheu turntable with markers. Everything was functioning to my satisfaction and as a next logical step I thought about the development of a complete record player. I had some nice ideas, but my background is electrical engineering and so I hadn’t the needed professional knowledge to fullfil my own requirements. But with Jürgen as my partner we both have enough expertise for such a project.
What we didn’t expect is that we had to learn so much about an assumed simple topic. At least we need around 5 years to finish this project.
Some of the boundary conditions for the development of my record player are naturally fixed for me from the beginning:
- mass player with a turntable weight >25kg
- 42cm diameter of the turntable with an as high as possible moment of inertia
- vertical air bearing
- external motor case with 3 motors and a tape drive
- closed loop speed control
- possibility to assemble a minimum of 2 tone arms
- On the Fly vertical adjustment of the tone arm bases without an arrester
- setup strickle for every used tone arm (midpoint plater ↔ pivot point of the tone arm)
The large diameter of the turntable limits the operation of tone arms so that only 12″ types are usable. This might for many of you certainly a disadvantage, but for me it is a logical consequence of my preference for longer tone arms. The main part of the weight, of the at least nearly 40kg heavy turntable, is located at the outer edge which benefited the moment of inertia.
Who is asking himself why I choosed a diameter of 42cm, has obviously not my age and hadn’t studied electrical engineering, mechanical engineering or computer sience ☺. 42 is the answer to the ultimate question of life, the universe and everything – more details you can find here.
At the 2017/08/16 this player had finally replaced my old DIY Scheu construction.
The buildup of this player consist of a series of materials which we choose through experiments. We use C45 steel, wood, schist, aluminium, gray iron and different synthetic materials. The production technologies of this parts are from waterjet cutting over CNC milling to 3D laser sintering. But mainly it was a lot of perfectly made handwork. The surfaces of the raw materials are not changed – e.g. no epoxal or chrome – so that the specifically characteristics of the materials are not influenced and therefore garantee the perfomance of this materials. Where we had to protect a surface we used a special wax.
A precision bearing with a lifetime solid lubrication and an extra thick precision-ground spindle takes over the horizontal bearing of the turntable. Three air bearings adapted to the load capacity of the overall weight of the turntable with an air gap of 5μm are responsible for the vertical bearing. With this implementation we have no noise and no slip-stick effects from the bearings.
The turntable itself is made of aluminium and has a weight of nearly 40kg. To measure the rotational speed markers are placed at the bottom side. As I wrote above the diameter is 420mm. The bigger part of the material is placed at the outer edge which gives us as much as possible inertia. The record disk itself is placed on an exchangeable base, so that we have the possibility to experiment with different materials. I selected vinyl (polyvinyl chloride – PVC) as a starting point. The bolt is placed on top of the turntable and has no direct contact to the bearings.
The player sits on top of 4 in the hight adjustable bases. Each base consists of two parts which are only connected via a ball, finally the complete player stands on that 4 balls. In each lower part of a base an additional damper is mounted.
As you can see on many other heavy mass record player it is possible to assemble up to four tone arms on my player. One in every corner of the base. The tone arm is bolt on an universal constructed arm. To achieve the correct distance between the tone arm pivot point and the midpoint of the turntable the base arm must be turned in the correct position around it’s clamping bolt.
My preferred pick-up respond very sensitive to the VTA adjustment and therefore you can hear tonal differences between normal vinyl and such with an audiophile weight which are thicker.
(VTA: Vertical Tracking Angle – more here)
How to adjust the tone arm correctly for this situation? For the bigger parts of my normal vinyl or to hear my thicker audiophile vinyl optimally. Or a compromise between both? Finally I have spend a lot of money for my tone arm and my pick-up and I want to have the optimal setting for every vinyl I want to hear.
The solution is an on the fly vertical adjustment of the tone arm base without an arrester. Exactly such an adjustment we have realized. The construction of the mechanic uses an anti-backslash gearing mechanism with a repeatable adjustment of the height per turn of the tuning knob. The zero-point of the basis can be moved within ±12mm in the height which is enough for every situation. Optionally a dial indicator gauge can be integratet.
At a well known heavy mass record player with magnetic bearings I measured the remanent magnetism with a simple compass on the surface of the turntable. In doing so I saw noticable movements of the needle. This was the reason why I decided years ago to use an air bearing. I don’t want to have a magnetical field nearby my pick-up.
As is known compressed air is a very expensive energy form and if you want to build the system as perfect as possible the effort is respectively high. The system I have actually in use is a compressor, an air dryer, a 14l big reservoir with an integrated pressure reducing valve, a proportional valve to set the flow rate electronically and a 0.2l settling vessel directly implemented in the player. Thereafter the compressed air is distributed via a loop air line to the 3 air bearings.
Especially the air dryer is a very clever construction from my friend Jürgen. A suitable systems is in a price range above 1500€. The solution comes from the automotive industry and is normally used in trucks. It is even a regeneration of the dryer cartidge integrated – as I said, very very clever.
When I saw the 3 motor drive of the TW Acustic Raven Black Night from Herne/Germany, I knew that I want to do it exactly in this way at my own record player. A 3 motor drive with this arrangement is for me the correct way.
You can read in many publications about the angle of deflection of the belt around the turntable, but this is certainly ok at most of the record players on the market. Much more important is the angle of deflection around the pulley, here we have the unwanted slip. With a motor arrangement as described above and the resultant lead of the belt it is guaranteed that you get the biggest possible angle of deflection around the 3 pulley’s. Here the slip is minimized as far as possible.
Although the arrangement of the motors is designed as at the Raven Black Night, the rest of the motor drive is more complex. The motor in the middle can be shift with a turning knob, so that you can optimize the initial tension of the tape – which I have in use instead of a belt. This is significantly more accurate compared to only shift the complete heavy motor drive.
Besides that the 3 motor drive stands are adjustable in the height. With this you can not only aligned the drive exactly horizontal, you can also set the belt at the center of mass of the turntable.
The pulley’s are precision turned and they have in the middle a collet chuck towards the motor shaft. This guaranteed that they sit exactly in the middle so that they run without an eccentricity.
We disassemble the motors before we use them and exchange the internal bearings with precision bearings. The quietness becomes significantly better with this.